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New York: Planthouse Press, 2014. Wraps. Limited Edition. Unpag. Olbong 4to. Produced in wraps with an ingenious design that incorporates Webster's illustrations in to the interior liner of the blue cloth folding box that encases the book. Published in an edition of 500 copies.
A comic narrative by Bradford accompanies a collection of Webster's childhood drawings from the 1970s, all of which were kept by his mother. We should all be so lucky! Signed in pencil by artist and author on the title page. Fine.
New York: Harcourt, Brace & Co., 1924. Fourth Edition. xi, 322 pp. Red cloth boards with gold embossed titling. Text block slightly loose in boards, previous owner’s name and university department in ink on front pastedown. Clean within. 6 black & white plates, numerous black and white illustrations in text. Very Good.
New York: Collins & Hannay, 1829. Hardcover. Third Edition. Third American Edition form the Second London Edition. vii, 638 pp. 8vo. Later brown cloth binding with gold embossed titling to spine. Interior has light foxing and age toning throughout. Folding plate at frontispiece in Good condition, ghost spots from paper rusted paper clips imprinted on frontispiece and title page, plate at rear missing 1/3 of right edge. Good.
Bridges, Jeff. New York: powerHouse Books, 2003. Hardcover. First Edition. First Printing. 192 pp. Oblong Folio. Clean, crisp copy with dust jacket in mylar cover.
Acclaimed actor Jeff Bridges is just as talented behind the camera, this collection of his panoramic black and white images of behind-the-scenes Hollywood is a stunner and an amazing testament to the talents of "The Dude." Fine / Fine.
London: Cambridge University Press, 1941. Hardcover. First Edition. vii, -445 pp. 4to. Black cloth with gold embossed titling to spine. Clean, crisp copy. Ex-library and barely noticeable.
In graph theory, R. Leonard Brooks' (1916-1993) theorem states a relationship between the maximum degree of a graph and its chromatic number. According to the theorem, in a connected graph in which every vertex has at most neighbors, the vertices can be colored with only colors, except for two cases, complete graphs and cycle graphs of odd length, which require + 1 colors. (Wikipedia). Fine.
S.J.FJ. Boston, MA: Houghton Mifflin Company, 1895. Hardcover. First Edition. 139 pp. 8vo. Beautifully illustrated color printed boards. Light scuffing from shelf wear. Edges of text block stained green, interior clean and tight.
The first installment of the Miss Phoebe Gray series in amazing shape for a first edition of this juvenile series. Very Good.
Los Angeles, CA: The New Ampersand Press, 1977. Hardcover. Limited Edition. 36 pp. 4to. Black cloth spine with printed paper label affixed, paste paper covers. Interior clean and crisp with a photo portrait by Jim Wood of the subject tipped in at frontispiece.
Produced in an edition of 300 copies, this being #256. Fine.
London: Methuen & Co., 1902. Hardcover. First Edition. xi, 302, 40 (Ads) pp. 24 Plates. 8vo. Blue cloth binding with golde embossed tilting to cover and spine. Wear and scuffing to spine, some staining, sunning to spine. Some discoloration to endpapers, light foxing within. 24 photographic plates illustrate the volume. Very Good.
Tucson, AZ: The University of Arizona Press, 2012. Hardcover. First Edition. First Printing. xii, 275 pp. 4to. Clean, crisp copy with the dust jacket in a mylar cover.
A fascinating work by multiple hours that traces the natural history and history of some of the only water sources available to indigenous populations and travelers in what is now referred to as the Sonoran Desert. Fine / Fine.
Brunhoff, Jean de. Paris: Editions du Jardin des Modes, 1931. Hardcover. First Edition. Early Printing with elephant on copyright page as well as a list of the next two titles in the series. 48 pp. Folio. Bright red illustrated boards with blue cloth spine. Spine has small 1/2" tear at head of spine. Covers Have scuffing, chipping at edges from shelf wear. An enthusiastic reader took a light red crayon and made some stray markings on pages 15-17, otherwise remarkebly clean and tight within. Very Good.
London/New York: Gaia Books/Sterling Publishing Co., Inc., 2007. Wraps. First Edition. First Printing. 144 pp. 8vo. Clean, crisp copy. Small spot on the rear panel of the limited edition wrapper, some scuffing.
In addition to the original cover, this edition has a separate heavy paper wrap with a labyrinth design blind embossed on front and rear panel, this limited edition cover is noted in pencil along the rear edge and signed by the author, "TES '09//Portland OR//Jim Buchanan//9/50" This edition is also inscribed by the author on the title page. Very Good / Very Good.
Tremlett, David. New Haven, CT: Yale Center for British Art, 1984. Wraps. First Edition. 4to. Eight separate publications houses in a two-piece cardboard box with printed paper covers that replicate, in reverse colors, the design of the Catalog (48 pp.) and Bibliography (36 pp.) housed within. Box in Very Good condition.
There are six pieces commissioned by the Yale Center for British Art in this collection: RIchard Long's "Stones and Suilven/Scotland 1981"; Victor Burgin's "I'Vegno Per Menarvi a l'Altra Riva"; Gilbert and George's "Life Without End. 1982"; Mary Kelly's "Post-Partum Document. Postscriptum. Summer 1983"; Robert McLean's "Piece Peace a Piece of Shit"; and David Tremlett's "Old Tom and Hotel Room" which is signed by him in pencil on the cover. Fine.
New York: Charles Scribner's Sons, 1924. Hardcover. First Edition. 331 pp. 8vo. Green cloth boards with profile of cowboy and horse printed in black on the cover, black titling to spine. Slight bumping to corners, minor scuffing from shelf wear. Clean within.
Struthers Burt (1882-1954) was a short story writer, poet, and novelist who was also instrumental in the establishment of Grand Teton National Park. This memoir chronicles some of his time in the American West. Very Good.
Caballero, David Rodriquez. La Rioja, Spain: Museum Wurth La Rioja, 2011. Wraps. First Edition. 239,  pp. 4to. Clean, crisp copy.
Catalog for an exhibition of the same name at the Museum Wurth La Rioja. Inscribed and signed by the artist on the title page. Also decorated with a small drawing on the second free endpaper, dated 2013. Fine.